Writers Talk

Naush and Suna’s Talk – Tips or Tricks

Rejection and coping with it well, is one of the great tips and tools needed for a writer. They reminded us that it’s important to “welcome rejection.” It may seem like an obvious pro tip, but as writers, when we get so invested in our work it’s the simplest of things we may forget in our writing journey. Rejection is a piece of the experience and not the final picture. Which is important to remember. Those rejections make us better writers in the sense that we explore deeper, where we can really touch the roots of writing. 

Time is also significant. Managing your schedule gives you the independence of you will need to acquire as a full time writer in the future. “Carving out time” for yourself as a writer also caters to your writing mood which is beneficial to pay attention to. Especially because a writer is constantly evolving. Writers need to be able to take the time to see the different dimensions of themselves they have put into their work. They will grow with the evolution of their characters over their time. 

Submission windows are the classic example of motivation for a writer. It’s a “great motivation factor” because a writer is working towards something consistently.   Working on good writing is about consistency. In addition to that, having deadlines are a great preparation technique for those less flexible days. It’s a way for a writer to combat any writing fears they may have as those deadlines may push them to go for it. Self discipline is at a strong point when you feel good under pressure. You feel confident enough to meet the deadline in your own time, on time. 

Find a community that will take your work seriously is one of the best pieces of advice these ladies offered us. It’s vital to seek that society of people who are genuine in responding to your work. Critical feedback is essential in progressing your writing. It’s what gives the writer more fuel to win their own race. The feedback that may be the hardest to take in, might be the most helpful advice they have been given to accelerate their narrative. Being critical can be “really fruitful” for making a writer see beyond what they think they can achieve. The possibilities grow when you take the true words of the true critics seriously.

Developing your craft comes from what gets one excited and intrigued as a writer. The passion is a key ingredient in enjoying the experience of writing. Writing about something that keeps your eyes wide open will make you want to build a better engine your story can work from. Reading equally stems from passion. They spoke of how reading poetry magazines can give you a taste of “contemporary poetry.” That kind of reading also keeps a writer up to date on the kind of writing circulating our world today. A writer doesn’t have to change themselves to fit the writing trend, but they should try to understand them. General reading is a necessity. Books bring the writer to life, and give them new words to extract. This an empowering contribution for self development in writing. To create “better readers” and produce more “informed writers.”

The “bubble of motherhood” is an interesting one to talk about. They spoke about how being a mother can be very time consuming on the schedule. This justifies further why a writing community is  useful because it gives writers a place to gather and share similar problems. Assuring yourself your not alone matters, particularly during the Covid era that is about to get spooky this October. 

Written by Nisha Patel

Nisha Patel is a writer dreaming in her own little world. Underneath a tree, looking upon the cities lit by the stars. A second year student studying Creative Writing and English Language at the University of Westminster. She adores writing as her company and loves embracing the warmth of nature while she is sitting in it. Hearing the birds tweet gives her sweetness on a sad day. When sunshine falls in, she falls into the making of a new dream. Notebooks with poems make her heart smile, especially ones that are full up of them!

Highlights

A look back at what we have learnt over the past few months from a few of the very inspirational speakers.

Jessica Wragg arrived back to the university with a new and accomplished novel, ‘Girl on the Block’ which came out in June 2017. Having once been a student here, she had a lot to tell us about the journey she took in the world of writing. Her experiences of being a butcher from the age of 16 and being able to write about those experiences from her own, very personal perspective. She emphasises that it is good to write about what you know, and in her case, that is the meat industry.  She also taught us to compromise to a degree with publishers, but to the extent that you feel is right.

Helen Mort, inspiring Poet and novelist. Helen spoke on how writing can be really difficult and in some ways you must be sensitive to the world but connected with it. She was not shy to mention that many times she had failed to succeed but that what we need as writers is a self-believe and this will keep us going. Helen believes that often good writing can feel embarrassing or uncomfortable but that the writing itself is not a bad thing. She also spoke of her challenges writing about the Hillsborough disaster as it did not directly affect her. She had trouble to convey this writing at first but was able to overcome it by writing from the perspective of a character in one of her novels.

Golnoosh Nour’s ‘The Ministry of Guidance’ was published this month! Golnoosh is a writer of short stories and also poetry who tries to find and write on content that she likes. She recommends independent presses as a good platform to get your work out there. Golnoosh also talks about how sex, perhaps shy or embarrassing as it may seem, can be political and it can be used for a purpose in a story or even to reveal something about one of her characters. Advice she gives to us is, not to worry about rejection as it may be inevitable and find your literary voice.

Vicky Grut was shortlisted for her book, ‘Live Show Drink Included’ by the Edge Hill Short Story Prize 2019 last year. She explained to us her way of writing short stories, taking time to ‘excavate the world’. To begin writing, she finds her character followed by a conflict which sets this character on a journey. In continuing, it is good to keep questioning and asking, ‘why’ in situations with your character. Further tips she gave were about how writers groups can help with drafts for your work as you are all in the same boat. She also stresses that if you do not write ideas down, they go, which is why she always keeps a notebook with her when she is on the go.

By James Hamblin

The Rut

ACT ONE
THUS SPAKE

From black the stage is suddenly lit to blue. A fog drift across the stage. A few Autumn leaves skirt across it.

2019. Burlington, Connecticut. MICHAEL, early twenties, male. He is jogging (in place) in grey sweats, beanie, headphones.

He listens to his podcast. The audience hears it.

BOE MORGUN. Buck was dead. Gasping for air. Thing to do was to give him another shot.

JACK WILLCOX. Not a light moment.

BOE MORGUN. Heavy. We all took off our hats, prayed, praised him. We hunters got together and said, ‘Thank you,’ to the elk. Bowed our heads. The guides, and they’ve been doing this for a while, a sort of tradition for them, they took the nearby grasses, made a ball of it, placed it in the mouth of the elk carcass. As an offering, as a thank you.

JACK WILLCOX. The bull’s last meal.

BOE MORGUN. Yeah…

JACK WILLCOX. Heavy.

BOE MORGUN. Sure is.

The stage goes quiet. MICHAEL’s blue fades to black.

The stage is lit with a spotlight of yellow.

JACK, early twenties, sits at a desk behind a desktop computer. He opens up a large canned beverage––an energy drink. His keyboard keys start clacking.

JACK. So, you know… yeah. Just been doing that, you know?

He takes a sip of his drink.

Pause.

Uh, Dr. Alloway, you there?

DR. ALLOWAY. I’m here, Jack. I do need you to start coming into my office for counseling. It is wonderful progress that you are willing to talk, but we can only make so much progress over the phone. We really need to resume our face-to-face sessions.

JACK stops typing.

JACK. Oh, yeah, I know. I know.

DR. ALLOWAY. Okay, well, our time today is running to a close.

JACK. Yeah.

Pause.

JACK. I’ll… I’ll be there next week.

DR. ALLOWAY. That is great to hear. Tuesday at five, then?

JACK. Yeah.

As JACK starts typing.

DR. ALLOWAY. Is there anything you would like to talk about briefly?

JACK. sighs.

A forum messenger dings.

DR. ALLOWAY. Jack?

JACK. No, I think that’s all.

DR. ALLOWAY. Any job interviews in the foreseeable future?

JACK. Got one at the grocer Thursday.

DR. ALLOWAY. Excellent. Well, best of luck!

JACK. Thanks, Dr. Alloway. Bye.

DR. ALLOWAY. Bye, Jack.

JACK grabs a vape from his pocket. Exhales a large cumulus cloud of smoke. He opens his drawer and pulls out a gun and a cloth and oil. He speaks to himself as he begins to clean the weapon. He quotes his favorite movie.

JACK. One shot, one shot, one shot! “How does it feel to be shot? How does it feel to be shot? Don’t hurt.” It don’t hurt none! If that’s what you wanna know.

 

By Rhys Higgins

Word combination exercise

We made a list of ten nouns, ten verbs and ten more nouns. Then we constructed an interesting sentence using a noun, verb and a noun from the list and wrote a short piece of fiction or poetry using that sentence as a title or first line.

Here is a sample of five exercises we produced:

1917

By Lilian Koster

 

A gap between bricks

In this town’s road

revealed what I thought to be

an old envelope

 

Perfectly sheltered

From the spring showers

Untouched, even if it had been raining

For multiple hours

 

Folded in crisp white paper

Addressed to a certain Ms. Lee

A handwritten letter!

Curiosity took over me

 

Why would it be placed

In a road of bricks?

Surely impossible to find,

And very easy to miss

 

So I opened it with care

In a place no one would see

I was opening someone else’s

Letter, illegally

 

And I read, dear Ms. Lee

I know too long I have been away

I cannot bare to imagine

How many weeks here I will stay

 

The boys are tired, Ms.

We have been working very hard

For the country that we love

We bear many scars

 

Winning is not easy,

Sleeping has never been so tough

But I promise we are trying our very best

To do our country just

 

I often daydream

About the day I arrive home

I miss the smell of fresh bread

And the sweetness of honeycomb

 

I think my left ear broke,

I cannot hear very well

But I can of course still hear

You singing farewell

 

I know you miss me too

And I, always, you

I hope to see you soon,

Forever yours, L. J. Hughes.

 

And so I read this letter,

Hoping that he managed to return to Ms. Lee

But the letter, at the bottom

Was dated July 1917.

 

The star strangled sky

By James Robinson

 

The star strangled sky hung over their heads; the desert was quiet, and the fire had died. Coldness began to creep up their fingers, it eased onto their noses and their breath began to show. They had lain down on top of a ridge to be closer to the heavens; the place was chosen as the right place to die.

The man looked at his watch, only fifty minutes left until the end. The woman had told him, as the fire burnt down, that she would prefer to have silence before the end – they had said everything that had to be said, everything they had wanted to say. They had chosen this red rocky ground, found a flat area, laid their best blanket down and made love while the sun set. As the last fiery slither of light dropped under the far hills, she suggested they build the fire small, and let it burn out; she thought the last moments should be cold, alert and feeling, not snug, drowsy and satiated.

He wanted to give her this last wish, even though he privately wanted them to get wicked drunk, eat the best food, fuck all night…go out with a bang. But her way was civilised, she was always the civilised one, he shuddered at the thought of what he might have become without her- probably dead already. No, this way was best because he was with her and she was happy, and that had always made him happy.

She broke the silence, apologising for doing so but she had been mulling something over which she just had to ask him. Will it hurt? He said he didn’t think so and that he expected it to be quick. How quick? She said that the process of their bodies breaking down, hearts stopping, brains dying – that all takes time – How quick? He thought there would be a moment of excruciating agony, maybe a split second, maybe a full second, maybe two; but he told her it would be instantaneous.

The death that was coming was hurtling towards them at 30 miles a second from somewhere out there in the dark amongst the stars. The scientists had placed the point of impact to be this continent, it was huge, too huge to run from, it was a planet killer, this was the end.

They breathed plumes of air up into the stars while they held hands and she began to sing a song he had never heard before. Unfortunately, neither of us heard the end.

 

Minutes dance around the clock

By Reka Furton

 

Minutes dance around the clock,

Life comes so quick and tries not to stop.

But can we do anything to try,

To get a slice of the pie.

 

Minutes dance around the clock,

I am attached to my book,

Reading how to live my life,

Again, the goal is not to die.

 

Minutes dance around the clock,

My anxiety hitting its peak spot.

Calling me to dark places and hits,

Crawling away from those dark pits.

 

Minutes dance around the clock,

Can you hear me?-the mike dropped.

Can you hear me? I’m fighting!

Life is not easy or inviting.

 

Minutes dance around the clock,

Still fighting? It’s a shock.

My wretched body says: enough!

My weak mind ready to give up.

 

Minutes dance around the clock,

Stay strong! – says an angelic voice.

Far away from future, fading hope,

Foggy picture drawn through the telescope.

Minutes dance around the clock,

The voice is stronger and the picture is prompt.

Hidden believe in the second,

Found me to fall through the record.

 

Minutes dance around the clock,

I am awake, my way out is still blocked.

Prince charming won’t come to rescue,

I have to fight alone with pressure.

 

Minutes dance around the clock,

I am ready to break through.

I feel strong I feel I’ll win,

Then circle of life shows its skin.

 

Minutes dance around the clock,

It’s always reaches around the throat,

The fight starts over and a new life starts,

From full to null that’s a never-ending war.

 

Ready or not here it comes,

Fighting warrior in all parts.

A rising, shining holy ghost,

Minutes still, just dance around the clock.

 

Untitled

By Eimantas Skackauskas

 

XV

Scents can weave memories long forgotten.

Memories pushed deep down where the sun does not shine.

Tapestries owned by those undeserving and mocked by those who are free in their mind.

They scoff. My vision is dyed in red.

XVIII

I’ve learnt that prayers don’t hold all the answers. The voicemail seems to be full.

Indefinitely.

Silence may be golden but it makes it hard to breath.

– this amount of gold should have me set for life.

XV

They ask if I’m human as I never cry.

I flinch. That river ran dry.

“Don’t cry, you’ll wake up your sister”. I repeat my mantra.

It’s etched in my mind. It tastes bitter but I don’t resist.

XI

A calloused hand touches my cheek. I instinctively turn the other one.

I will never tell but I hope it’d make my mother proud.

Tomorrow’s Sunday. Maybe He’ll notice me now.

 

The blanket found at a party

By Mia Burnette-Wade

 

I found my blanket at a party,

On a dreary Friday night.

You were sitting amongst discarded cans

And wearing black knee-high tights.

Dressed in lilac and decorated in silk

You sat smoking a cigarette next to someone else’s quilt

I gazed, gawked and gasped at your pattern

But knew deep down

That blankets like you were hard to flatter.

So, I kept myself stuffed into a corner

And allowed my body to crumple to the floor

That’s when you said you noticed me

And asked if I was cold too

I nodded, almost with delight

And that’s when you sat down

And ended up nestling into me all night

You told me stories about each of your stitches

And every one of your deepest wishes

You told me of all the men

And how you told yourself never again

Because of the ways you had been flipped, tossed and thrown back and forth

By men who never even tried to get to know your warmth

Eventually as the night went on

There was a slow in your speech

Then you were half-asleep

And I was draped over your shoulder

Suddenly feeling a lot less colder

That night I became your blanket

And six years later

You’re still mine.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*The Treatment* by Michael Nath: A Westminster Book Launch

Last night saw the Westminster University launch of Michael Nath’s latest novel, The Treatment.

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A packed crowd filled the Soho Poly Basement as Michael – a lecturer in creative writing at Westminster and the author of three books – introduced his sprawling, vivid journey into visible and invisible London.

Alongside Michael, past students and members of the creative writing team at Westminster each read from their own work and work-in-progress. It was a wonderful night, and a fitting celebration of the vibrant creative life of Westminster.

 

‘Binti’ by Nnedi Okorafor – a review

by Tia Slaney

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In the year 2020, we are surrounded by more diverse media than ever before. While there is still a lot more work to be done in terms of inclusivity and diversity in media, we are living in a time wherein we have access to a wide variety of voices in all areas.

As a fantasy and science fiction lover myself, I am always on the lookout for books (and/or media) that push the boundaries and stereotypes of the genre. Every culture has their own fables and folklore that is weaved into, and drawn as inspiration for, many works of fantasy. So, while fantasy and science fiction stories show us imagined futures and magical worlds, they also give readers another lens to view our own world with. However, historically they have failed to accurately reflect the diversity of the real world it is so-often inspired by. With time, that has been changing. I seek out unique stories that raise diverse voices and experiences, especially in the fantasy genre wherein – quite literally – everything is possible.

This is how I came across ‘Binti’.

Written by Nnedi Okorafor and published in 2015, it is the first novella in the Binti series. The story follows and is written from the perspective of the titular character – Binti – a gifted teenage who has big dreams and is determined to achieve them. She has been offered a full scholarship to the intergalactic, prestigious Oomza University, which would make her the very first person amongst her people (the Himba people; who are closely modelled after the Himba people of Namibia) to receive a place. To accept would mean she could make her dreams a reality, but at the same time would require her leaving her place in her family and the only place she has ever known, to be amongst strangers who don’t share her ways or respect her customs. We follow Binti as she embarks on her isolated journey of choosing her own future.

‘Binti’ is the embodiment of beautiful and fascinating literature. While being classed as a novella due to its small page count, it doesn’t take away from the story’s grandeur. Okorafor is masterfully effortless in immersing readers fully into her vibrant and representational, well-lived in world. While Binti happens to live in a world that’s far more advanced than our own, her experiences are one that we can all relate to: teenage rebellion, curiosity for life and knowledge, and the desire to become more than one’s current self.

I won’t go into details and spoilers on what happens to Binti on her journey to Oomza university (or if she even makes it there), as you can find that out for yourself. I will tell you however, that Okorafor has crafted a tale that is magnetic; managing to connect with you and make it impossible to put the book (or Binti herself) away. Okorafor’s words speak to the soul and of issues that arise when growing up: our pasts and our future desires clashing and not knowing how to juggle the two, when in fact where you come from and where you are going can co-exist. Okorafor also showcases how Binti’s journey speaks of the experience of someone ‘different’ from society’s standards entering and taking up well-deserved space. From these experiences of both past and present, Binti find’s strength to grow and face whatever life throws at her fearlessly and with belief in herself. For me, that perfectly encapsulates a message that everybody could use in this day and age.

 

The other books in the ‘Binti’ series:

‘Binti: Home’ and ‘Binti: The Night Masquerade’ by Nnedi Okorafor

 

Other books that showcase diverse experiences in science fiction and fantasy:

‘Who Fears Death’ by Nnedi Okorafor

‘Children of Blood and Bone’ and ‘Children of Virtue and Vengeance’ by Tomi Adeyemi

‘Daughters of Nri’ by Reni K. Amayo

‘Trail of Lightning’ by Rebecca Roanhorse

‘An Unkindness of Ghosts’ by River Solomon

‘The Power of Habit’ by Charles Duhigg – A Review

Masooma Kulsoom

 

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London… One of the biggest and busiest cities in the world. Every breath of the city, every heartbeat is filled with speed. People are always in a hurry in this city, in a hurry to leave home, in a hurry to get to work, in a hurry to start the day. Always in a hurry to be one step ahead of life. Racing against time has become a habit for all of us. In this fast-paced world, one place that allows us to escape this hectic, chaotic life are books. Where do you find them? Libraries? As soon as one steps their foot in the library, they are in a new world. Walking towards a library allows a person to walk through their own life, their own moments and their journey. Stepping into a library turns that single journey into many different treks of others past, present, future and mind. But one book that looks at many different minds and how they work is ‘The Power of Habit’.

‘The Power of Habit’ is a book by Charles Duhigg. It’s a book about how habits form and how to change them. The book is split into three sections ‘The Habits of Individuals’, ‘The Habits of Organisations’ and the last is ‘The Habits of Societies’. One thing that we usually don’t recognise but we know is there is what Duhigg calls ‘The Habit Loop’. Which is broken down into three step process that is basically that habits are triggered by a ‘cue’, which then leads into a ‘routine’ and then the routine ultimately calls in a for a ‘reward’. Three lessons learnt from this book are:
1. Habits are delicate things, they don’t trigger unless the cue triggers them, so if you don’t expose yourself to a cue, you’re not going to form a habit. This is important for both good habits and bad habits. You need to build cues that trigger good habits and you want to try and avoid the cues that trigger the bad ones.

2. The brain receives a dopamine spike as a response to the reward when a person is in their initial stages of forming a habit but as the habit gets stronger, the dopamine spike in the brain happens right after the cue is triggered in anticipation of the reward. Duhigg calls this ‘Craving’ and classes it as the fourth component of ‘The Habit Loop’.

3. Some habits once built have the power to help people form other habits. They do this by helping people create ‘small wins’, in their lives like the ‘reward’ in ‘The Habit Loop’. These ‘small wins’ motivates people and creates a structure for building new habits. These habits are classified as ‘Keystone Habits’

Overall, reading this book made me realise that there’s so much to every little thing. I would’ve never thought that a little thing such as a cue can help you form a habit or break out of one. This book taught me that forming a habit or breaking out of one can be so easy and complex at the same time, all you’ve got to do is dig down deep to find that little cue.

4 reasons why we are obsessed with true crime

Olivia Lambrou

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It seems everywhere we turn there’s a new crime drama, whether it’s a documentary, TV drama, podcast, novel, you name it and I promise you they’ll have it. A drama dedicated to crime is around every corner and we can’t get enough of it. We’re intrigued by the works of a serial killer and the thoughts that drives their actions. Netflix’s latest documentaries Don’t F*ck With Cats and Killer Inside: The mind of Aaron Hernandez contribute highly to the rising rates of true crime drama. Both documentaries were listed in Netflix’s top ten in the UK, and I can admit I watched and loved both of them. This kind of popularity raises the question: why are we so obsessed with true crime?

1. Women fear crime
The Sony Crime Channel viewers are mostly women and psychologists have found that women prefer crime drama more than men. Experts have suggested that our interest in crime exists around fear and our need to feel prepared. Knowledge is power, true crime drama gives us an opportunity to understand crime and we find comfort in confronting our fear. It’s like a vaccination, we need to be treated with immunity against the disease. It gives us a sense of protection from the monsters.

2. Fascination with evil
Crime dramas allow us a glance into the minds of people who commit the most gruesome and inhumane acts. Psychologists have stated there’s always been a human fascination with good versus evil, and true crime embodies our obsession. We want to know what makes a serial killer a serial killer, what feeds their sickness and how it all began. We enjoy watching the killers get caught and how good conquers evil.

3. Compassion
Most of the time we hear about the victims and we wonder, that could have been me. We feel compassionate for the victims and their families. We have an innate desire to empathize with other human beings and one of the basic reasons we enjoy true crime is to know how and why killers commit these extreme crimes. This allows us to understand the monster and their purpose, giving us the chance to sympathize for what caused them to become who they are.

4. Guilty pleasure
Psychologists have proposed our obsession revolves around thrill seeking, the same thrill seeking we feel when we ride a rollercoaster, go sky diving or bungee jumping. We have a fixation for violence and disaster, even though the acts of a serial killer may be horrible, we enjoy the guilty pleasure we feel from tragedies and we can’t take our eyes off it.

Our complex obsession with serial killers is continuously growing, but its safe to say there’s nothing concerning about this interest. We’re still normal, even if we are fascinated by evil. If you’re obsessed with true crime it does not make you likely to become a serial killer. You don’t need to worry, you’re perfectly ordinary.