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… ideas and inspirations from the Creative Writing community at the University of Westminster.

The Rut

ACT ONE
THUS SPAKE

From black the stage is suddenly lit to blue. A fog drift across the stage. A few Autumn leaves skirt across it.

2019. Burlington, Connecticut. MICHAEL, early twenties, male. He is jogging (in place) in grey sweats, beanie, headphones.

He listens to his podcast. The audience hears it.

BOE MORGUN. Buck was dead. Gasping for air. Thing to do was to give him another shot.

JACK WILLCOX. Not a light moment.

BOE MORGUN. Heavy. We all took off our hats, prayed, praised him. We hunters got together and said, ‘Thank you,’ to the elk. Bowed our heads. The guides, and they’ve been doing this for a while, a sort of tradition for them, they took the nearby grasses, made a ball of it, placed it in the mouth of the elk carcass. As an offering, as a thank you.

JACK WILLCOX. The bull’s last meal.

BOE MORGUN. Yeah…

JACK WILLCOX. Heavy.

BOE MORGUN. Sure is.

The stage goes quiet. MICHAEL’s blue fades to black.

The stage is lit with a spotlight of yellow.

JACK, early twenties, sits at a desk behind a desktop computer. He opens up a large canned beverage––an energy drink. His keyboard keys start clacking.

JACK. So, you know… yeah. Just been doing that, you know?

He takes a sip of his drink.

Pause.

Uh, Dr. Alloway, you there?

DR. ALLOWAY. I’m here, Jack. I do need you to start coming into my office for counseling. It is wonderful progress that you are willing to talk, but we can only make so much progress over the phone. We really need to resume our face-to-face sessions.

JACK stops typing.

JACK. Oh, yeah, I know. I know.

DR. ALLOWAY. Okay, well, our time today is running to a close.

JACK. Yeah.

Pause.

JACK. I’ll… I’ll be there next week.

DR. ALLOWAY. That is great to hear. Tuesday at five, then?

JACK. Yeah.

As JACK starts typing.

DR. ALLOWAY. Is there anything you would like to talk about briefly?

JACK. sighs.

A forum messenger dings.

DR. ALLOWAY. Jack?

JACK. No, I think that’s all.

DR. ALLOWAY. Any job interviews in the foreseeable future?

JACK. Got one at the grocer Thursday.

DR. ALLOWAY. Excellent. Well, best of luck!

JACK. Thanks, Dr. Alloway. Bye.

DR. ALLOWAY. Bye, Jack.

JACK grabs a vape from his pocket. Exhales a large cumulus cloud of smoke. He opens his drawer and pulls out a gun and a cloth and oil. He speaks to himself as he begins to clean the weapon. He quotes his favorite movie.

JACK. One shot, one shot, one shot! “How does it feel to be shot? How does it feel to be shot? Don’t hurt.” It don’t hurt none! If that’s what you wanna know.

 

By Rhys Higgins

Word combination exercise

We made a list of ten nouns, ten verbs and ten more nouns. Then we constructed an interesting sentence using a noun, verb and a noun from the list and wrote a short piece of fiction or poetry using that sentence as a title or first line.

Here is a sample of five exercises we produced:

1917

By Lilian Koster

 

A gap between bricks

In this town’s road

revealed what I thought to be

an old envelope

 

Perfectly sheltered

From the spring showers

Untouched, even if it had been raining

For multiple hours

 

Folded in crisp white paper

Addressed to a certain Ms. Lee

A handwritten letter!

Curiosity took over me

 

Why would it be placed

In a road of bricks?

Surely impossible to find,

And very easy to miss

 

So I opened it with care

In a place no one would see

I was opening someone else’s

Letter, illegally

 

And I read, dear Ms. Lee

I know too long I have been away

I cannot bare to imagine

How many weeks here I will stay

 

The boys are tired, Ms.

We have been working very hard

For the country that we love

We bear many scars

 

Winning is not easy,

Sleeping has never been so tough

But I promise we are trying our very best

To do our country just

 

I often daydream

About the day I arrive home

I miss the smell of fresh bread

And the sweetness of honeycomb

 

I think my left ear broke,

I cannot hear very well

But I can of course still hear

You singing farewell

 

I know you miss me too

And I, always, you

I hope to see you soon,

Forever yours, L. J. Hughes.

 

And so I read this letter,

Hoping that he managed to return to Ms. Lee

But the letter, at the bottom

Was dated July 1917.

 

The star strangled sky

By James Robinson

 

The star strangled sky hung over their heads; the desert was quiet, and the fire had died. Coldness began to creep up their fingers, it eased onto their noses and their breath began to show. They had lain down on top of a ridge to be closer to the heavens; the place was chosen as the right place to die.

The man looked at his watch, only fifty minutes left until the end. The woman had told him, as the fire burnt down, that she would prefer to have silence before the end – they had said everything that had to be said, everything they had wanted to say. They had chosen this red rocky ground, found a flat area, laid their best blanket down and made love while the sun set. As the last fiery slither of light dropped under the far hills, she suggested they build the fire small, and let it burn out; she thought the last moments should be cold, alert and feeling, not snug, drowsy and satiated.

He wanted to give her this last wish, even though he privately wanted them to get wicked drunk, eat the best food, fuck all night…go out with a bang. But her way was civilised, she was always the civilised one, he shuddered at the thought of what he might have become without her- probably dead already. No, this way was best because he was with her and she was happy, and that had always made him happy.

She broke the silence, apologising for doing so but she had been mulling something over which she just had to ask him. Will it hurt? He said he didn’t think so and that he expected it to be quick. How quick? She said that the process of their bodies breaking down, hearts stopping, brains dying – that all takes time – How quick? He thought there would be a moment of excruciating agony, maybe a split second, maybe a full second, maybe two; but he told her it would be instantaneous.

The death that was coming was hurtling towards them at 30 miles a second from somewhere out there in the dark amongst the stars. The scientists had placed the point of impact to be this continent, it was huge, too huge to run from, it was a planet killer, this was the end.

They breathed plumes of air up into the stars while they held hands and she began to sing a song he had never heard before. Unfortunately, neither of us heard the end.

 

Minutes dance around the clock

By Reka Furton

 

Minutes dance around the clock,

Life comes so quick and tries not to stop.

But can we do anything to try,

To get a slice of the pie.

 

Minutes dance around the clock,

I am attached to my book,

Reading how to live my life,

Again, the goal is not to die.

 

Minutes dance around the clock,

My anxiety hitting its peak spot.

Calling me to dark places and hits,

Crawling away from those dark pits.

 

Minutes dance around the clock,

Can you hear me?-the mike dropped.

Can you hear me? I’m fighting!

Life is not easy or inviting.

 

Minutes dance around the clock,

Still fighting? It’s a shock.

My wretched body says: enough!

My weak mind ready to give up.

 

Minutes dance around the clock,

Stay strong! – says an angelic voice.

Far away from future, fading hope,

Foggy picture drawn through the telescope.

Minutes dance around the clock,

The voice is stronger and the picture is prompt.

Hidden believe in the second,

Found me to fall through the record.

 

Minutes dance around the clock,

I am awake, my way out is still blocked.

Prince charming won’t come to rescue,

I have to fight alone with pressure.

 

Minutes dance around the clock,

I am ready to break through.

I feel strong I feel I’ll win,

Then circle of life shows its skin.

 

Minutes dance around the clock,

It’s always reaches around the throat,

The fight starts over and a new life starts,

From full to null that’s a never-ending war.

 

Ready or not here it comes,

Fighting warrior in all parts.

A rising, shining holy ghost,

Minutes still, just dance around the clock.

 

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By Eimantas Skackauskas

 

XV

Scents can weave memories long forgotten.

Memories pushed deep down where the sun does not shine.

Tapestries owned by those undeserving and mocked by those who are free in their mind.

They scoff. My vision is dyed in red.

XVIII

I’ve learnt that prayers don’t hold all the answers. The voicemail seems to be full.

Indefinitely.

Silence may be golden but it makes it hard to breath.

– this amount of gold should have me set for life.

XV

They ask if I’m human as I never cry.

I flinch. That river ran dry.

“Don’t cry, you’ll wake up your sister”. I repeat my mantra.

It’s etched in my mind. It tastes bitter but I don’t resist.

XI

A calloused hand touches my cheek. I instinctively turn the other one.

I will never tell but I hope it’d make my mother proud.

Tomorrow’s Sunday. Maybe He’ll notice me now.

 

The blanket found at a party

By Mia Burnette-Wade

 

I found my blanket at a party,

On a dreary Friday night.

You were sitting amongst discarded cans

And wearing black knee-high tights.

Dressed in lilac and decorated in silk

You sat smoking a cigarette next to someone else’s quilt

I gazed, gawked and gasped at your pattern

But knew deep down

That blankets like you were hard to flatter.

So, I kept myself stuffed into a corner

And allowed my body to crumple to the floor

That’s when you said you noticed me

And asked if I was cold too

I nodded, almost with delight

And that’s when you sat down

And ended up nestling into me all night

You told me stories about each of your stitches

And every one of your deepest wishes

You told me of all the men

And how you told yourself never again

Because of the ways you had been flipped, tossed and thrown back and forth

By men who never even tried to get to know your warmth

Eventually as the night went on

There was a slow in your speech

Then you were half-asleep

And I was draped over your shoulder

Suddenly feeling a lot less colder

That night I became your blanket

And six years later

You’re still mine.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*The Treatment* by Michael Nath: A Westminster Book Launch

Last night saw the Westminster University launch of Michael Nath’s latest novel, The Treatment.

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A packed crowd filled the Soho Poly Basement as Michael – a lecturer in creative writing at Westminster and the author of three books – introduced his sprawling, vivid journey into visible and invisible London.

Alongside Michael, past students and members of the creative writing team at Westminster each read from their own work and work-in-progress. It was a wonderful night, and a fitting celebration of the vibrant creative life of Westminster.

 

‘Binti’ by Nnedi Okorafor – a review

by Tia Slaney

binti

In the year 2020, we are surrounded by more diverse media than ever before. While there is still a lot more work to be done in terms of inclusivity and diversity in media, we are living in a time wherein we have access to a wide variety of voices in all areas.

As a fantasy and science fiction lover myself, I am always on the lookout for books (and/or media) that push the boundaries and stereotypes of the genre. Every culture has their own fables and folklore that is weaved into, and drawn as inspiration for, many works of fantasy. So, while fantasy and science fiction stories show us imagined futures and magical worlds, they also give readers another lens to view our own world with. However, historically they have failed to accurately reflect the diversity of the real world it is so-often inspired by. With time, that has been changing. I seek out unique stories that raise diverse voices and experiences, especially in the fantasy genre wherein – quite literally – everything is possible.

This is how I came across ‘Binti’.

Written by Nnedi Okorafor and published in 2015, it is the first novella in the Binti series. The story follows and is written from the perspective of the titular character – Binti – a gifted teenage who has big dreams and is determined to achieve them. She has been offered a full scholarship to the intergalactic, prestigious Oomza University, which would make her the very first person amongst her people (the Himba people; who are closely modelled after the Himba people of Namibia) to receive a place. To accept would mean she could make her dreams a reality, but at the same time would require her leaving her place in her family and the only place she has ever known, to be amongst strangers who don’t share her ways or respect her customs. We follow Binti as she embarks on her isolated journey of choosing her own future.

‘Binti’ is the embodiment of beautiful and fascinating literature. While being classed as a novella due to its small page count, it doesn’t take away from the story’s grandeur. Okorafor is masterfully effortless in immersing readers fully into her vibrant and representational, well-lived in world. While Binti happens to live in a world that’s far more advanced than our own, her experiences are one that we can all relate to: teenage rebellion, curiosity for life and knowledge, and the desire to become more than one’s current self.

I won’t go into details and spoilers on what happens to Binti on her journey to Oomza university (or if she even makes it there), as you can find that out for yourself. I will tell you however, that Okorafor has crafted a tale that is magnetic; managing to connect with you and make it impossible to put the book (or Binti herself) away. Okorafor’s words speak to the soul and of issues that arise when growing up: our pasts and our future desires clashing and not knowing how to juggle the two, when in fact where you come from and where you are going can co-exist. Okorafor also showcases how Binti’s journey speaks of the experience of someone ‘different’ from society’s standards entering and taking up well-deserved space. From these experiences of both past and present, Binti find’s strength to grow and face whatever life throws at her fearlessly and with belief in herself. For me, that perfectly encapsulates a message that everybody could use in this day and age.

 

The other books in the ‘Binti’ series:

‘Binti: Home’ and ‘Binti: The Night Masquerade’ by Nnedi Okorafor

 

Other books that showcase diverse experiences in science fiction and fantasy:

‘Who Fears Death’ by Nnedi Okorafor

‘Children of Blood and Bone’ and ‘Children of Virtue and Vengeance’ by Tomi Adeyemi

‘Daughters of Nri’ by Reni K. Amayo

‘Trail of Lightning’ by Rebecca Roanhorse

‘An Unkindness of Ghosts’ by River Solomon

‘The Power of Habit’ by Charles Duhigg – A Review

Masooma Kulsoom

 

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London… One of the biggest and busiest cities in the world. Every breath of the city, every heartbeat is filled with speed. People are always in a hurry in this city, in a hurry to leave home, in a hurry to get to work, in a hurry to start the day. Always in a hurry to be one step ahead of life. Racing against time has become a habit for all of us. In this fast-paced world, one place that allows us to escape this hectic, chaotic life are books. Where do you find them? Libraries? As soon as one steps their foot in the library, they are in a new world. Walking towards a library allows a person to walk through their own life, their own moments and their journey. Stepping into a library turns that single journey into many different treks of others past, present, future and mind. But one book that looks at many different minds and how they work is ‘The Power of Habit’.

‘The Power of Habit’ is a book by Charles Duhigg. It’s a book about how habits form and how to change them. The book is split into three sections ‘The Habits of Individuals’, ‘The Habits of Organisations’ and the last is ‘The Habits of Societies’. One thing that we usually don’t recognise but we know is there is what Duhigg calls ‘The Habit Loop’. Which is broken down into three step process that is basically that habits are triggered by a ‘cue’, which then leads into a ‘routine’ and then the routine ultimately calls in a for a ‘reward’. Three lessons learnt from this book are:
1. Habits are delicate things, they don’t trigger unless the cue triggers them, so if you don’t expose yourself to a cue, you’re not going to form a habit. This is important for both good habits and bad habits. You need to build cues that trigger good habits and you want to try and avoid the cues that trigger the bad ones.

2. The brain receives a dopamine spike as a response to the reward when a person is in their initial stages of forming a habit but as the habit gets stronger, the dopamine spike in the brain happens right after the cue is triggered in anticipation of the reward. Duhigg calls this ‘Craving’ and classes it as the fourth component of ‘The Habit Loop’.

3. Some habits once built have the power to help people form other habits. They do this by helping people create ‘small wins’, in their lives like the ‘reward’ in ‘The Habit Loop’. These ‘small wins’ motivates people and creates a structure for building new habits. These habits are classified as ‘Keystone Habits’

Overall, reading this book made me realise that there’s so much to every little thing. I would’ve never thought that a little thing such as a cue can help you form a habit or break out of one. This book taught me that forming a habit or breaking out of one can be so easy and complex at the same time, all you’ve got to do is dig down deep to find that little cue.

4 reasons why we are obsessed with true crime

Olivia Lambrou

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It seems everywhere we turn there’s a new crime drama, whether it’s a documentary, TV drama, podcast, novel, you name it and I promise you they’ll have it. A drama dedicated to crime is around every corner and we can’t get enough of it. We’re intrigued by the works of a serial killer and the thoughts that drives their actions. Netflix’s latest documentaries Don’t F*ck With Cats and Killer Inside: The mind of Aaron Hernandez contribute highly to the rising rates of true crime drama. Both documentaries were listed in Netflix’s top ten in the UK, and I can admit I watched and loved both of them. This kind of popularity raises the question: why are we so obsessed with true crime?

1. Women fear crime
The Sony Crime Channel viewers are mostly women and psychologists have found that women prefer crime drama more than men. Experts have suggested that our interest in crime exists around fear and our need to feel prepared. Knowledge is power, true crime drama gives us an opportunity to understand crime and we find comfort in confronting our fear. It’s like a vaccination, we need to be treated with immunity against the disease. It gives us a sense of protection from the monsters.

2. Fascination with evil
Crime dramas allow us a glance into the minds of people who commit the most gruesome and inhumane acts. Psychologists have stated there’s always been a human fascination with good versus evil, and true crime embodies our obsession. We want to know what makes a serial killer a serial killer, what feeds their sickness and how it all began. We enjoy watching the killers get caught and how good conquers evil.

3. Compassion
Most of the time we hear about the victims and we wonder, that could have been me. We feel compassionate for the victims and their families. We have an innate desire to empathize with other human beings and one of the basic reasons we enjoy true crime is to know how and why killers commit these extreme crimes. This allows us to understand the monster and their purpose, giving us the chance to sympathize for what caused them to become who they are.

4. Guilty pleasure
Psychologists have proposed our obsession revolves around thrill seeking, the same thrill seeking we feel when we ride a rollercoaster, go sky diving or bungee jumping. We have a fixation for violence and disaster, even though the acts of a serial killer may be horrible, we enjoy the guilty pleasure we feel from tragedies and we can’t take our eyes off it.

Our complex obsession with serial killers is continuously growing, but its safe to say there’s nothing concerning about this interest. We’re still normal, even if we are fascinated by evil. If you’re obsessed with true crime it does not make you likely to become a serial killer. You don’t need to worry, you’re perfectly ordinary.

SIX the Musical – A Review

Kirsty Seadon

 

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One of the goals I set myself at the beginning of the year was to see more musicals. This month’s show was one I’d been dying to see since I saw the cast give a teaser on a TV show last year. Originally written by two students in their final year at Cambridge University and shown by The Cambridge University Musical Theatre Society, then at the Edinburgh Fringe Festival.

But hold your Tudor horses, it’s not a regular musical, it runs for 75 minutes without an interval, and staged more as a concert: ‘Divorced. Beheaded. Live!’

History is typically written by the winners, but isn’t it also true that it’s predominantly written by men? SIX aims to give the women a chance to tell their own story, because “Everybody knows that we used to be six wives….”

Flash forward 500 hundred years to the present day and their histories parallel the modern female experience.

It’s not just a modern retelling of Henry VIII’s six wives, it’s an empowering, thought-provoking, female focused musical, who are all only connected by a man – who’s absence isn’t missed during the show – as cheesy as it sounds, they create a sisterhood of women who had intriguing stories and lives altered on the whim and fancy of one person.
The costumes are sparkling, the lyrics are snappy, it throws raps with Tudor style references entwined in hip hop tropes, mixed with cleverly timed double entendre. Each wife has a music style based on a powerful female singer; Lily Allen; Adele; Nicki Minaj and Rhianna; Ariana Grande and Britney Spears; Alicia Keys. We had fun working out who was inspired by whom.

The creation of SIX has created its own genre of campy, yet self-aware musical, for the Netflix generation, while giving you a deeper insight to the history of these women and this time period.

See it at the Art’s Theatre until 5th July 2020. GO! You won’t regret it, but I warn you: you’ll have the catchy lyrics stuck in your head for weeks and the playlist on repeat.

Writing with a hectic lifestyle

Floransa Ratkoceri

 

It is hard to get your creative juices flowing, especially when you are trying to juggle a lots of things at once. Juggling is something not everyone can do, although clowns do make it look easy! If you are like me, someone who not only attends university full time, but has a part time job and tries to do other things, you know that it can be really difficult to make time for your writing.

You find yourself falling behind and that is when you begin to panic. You try look at your calendar to see what you can afford to miss in order to catch up. Although, when the day comes … you procrastinate and avoid doing it at all costs. I find myself looking at the time and if it isn’t an even number, I tell myself I’ll begin in half an hour. Yet even then I still do not do anything.

If this sounds like you, do not panic! I have come up with a few techniques on how to overcome this, or make it a little easier with all the other things going on in your life.

Study Calendar

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Yes it is a cliché to make a study calendar, but it really works. Even if it means you have to start your day earlier than usual, you’ll reap the rewards after, trust me!

Outline every hour of the day and what you will be doing. Somehow the beauty of seeing your life on paper, does in fact make it easier.

The Netflix series that you are rushing to watch, will still be there but it is about prioritising the important things, so that once they’re done … the weight is lifted off your shoulders and you feel free.

Avoid technology

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Our phones are our worst enemy. You will find any excuse to check your phone and avoid the task that is at hand. Put your phone on Do not disturb, airplane mode or simply turn it off.

Having your phone next to you, I can guarantee you will feel the itch to just pick it up, unlock and swipe from app to app trying to find something to distract you.

Instead, use that 10 minutes you would normally spend browsing on Instagram, Snapchat or WhatsApp, on trying things such as free writing exercises, or to write that poem, catch up on your assignments, or even revise.
Location

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Find somewhere that you can sit down and simply crack on with the task at hand. Personally, my bedroom is the place I do the least amount of work in. You associate that as a place to relax, it’s the place you sleep in and I find that it doesn’t work for me.

Go to a café, or even a local library. Somewhere that you know you cannot be distracted. Even the living room if that is easiest for you, so that you do not leave your house.

Once you find the place that works for you, then fit a time slot into your study calendar to go to this place and do the work you need to do.

I hope that this helps anyone who is struggling to juggle multiple things at once! They really worked for me and now I swear by them.

Cupid, who? – 5 Anti-Valentine’s Day Poems to Not Get You in the Mood

by Alisha Taylor

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In the age of Love Island and First Dates, it’s undeniable that we live in a couple-centric society. With the big V-Day itself rapidly approaching, it can be hard to get through the romantic season unscathed as a single individual. That’s why I’ve compiled 5 of my personal favourite anti-Love poems, for an alternative take on St. Valentine’s Day!

 

1. A Pity, We Were Such A Good Invention
By Yehuda Amichai (Translated by Assia Gutmann)

They amputated
Your thighs off my hips.
As far as I’m concerned
They are all surgeons. All of them.

They dismantle us
Each from the other.
As far as I’m concerned
They are all engineers. All of them.

A pity. We were such a good
And loving invention.
An aeroplane made from a man and wife.
Wings and everything.
We hovered a little above the earth.

We even flew a little.

 

Amichai’s beautiful poem, ‘A Pity, We Were Such A Good Invention’, perfectly encapsulates a feeling that I’m sure is familiar to most people; helplessness. The use of specialist language, i.e. ‘surgeons’ and ‘engineers’, is far-removed from what we would typically expect from a break-up poem, choosing a more practical outlook on the relationship’s shortcomings, rather than a mushy outpour of heartbreak.

 

2. Oh God
By Michelle Tea

spilling water from my back,
you call and i come.
that exhausted walk to reach you
breathless and no i didn’t run
to see you, i’ve been smoking
too much, same thing.

another awkward hug in the car
as my face smashes your cheek
that i can feel it leaving now
is the saddest, a beautiful eruption
you could have picked it off the tree
and chowed

but you weren’t hungry.
feeling it dying away all day
much worse than the straining
against the leash, another gorgeous
thing that should not have happened,
gone again.

 

Michelle Tea’s aptly-named ‘Oh God’ relates to anyone who has been the person putting 100% into their relationship, whilst the other person struggles to put in 1%. She presents the image of a lover who is desperately clinging on to a partner that has lost interest, which is a painful situation that is difficult to portray.
3. Symptom Recital
By Dorothy Parker

I do not like my state of mind;
I’m bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn’s recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I’m disillusioned, empty-breasted.
For what I think, I’d be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men….
I’m due to fall in love again

Unlike the other two poems so far, Parker’s ‘Symptom Recital’ takes a slightly more optimistic approach, with the speaker concluding that they’re ‘due to fall in love again’, rather than swearing off relationships forever.

 

4. I Feel Horrible. She Doesn’t
By Richard Brautigan

I feel horrible. She doesn’t
love me and I wander around
the house like a sewing machine
that’s just finished sewing
a turd to a garbage can lid.

Whilst Brautigan’s ‘I Feel Horrible. She Doesn’t’ may be the shortest poem on the list, it certainly still manages to pack a punch. The use of a ‘sewing machine that’s just finished sewing’ invokes such a clear image of someone who has lost their function in life. The poem’s title is a stroke of genius, also.

 

5. The One Thing I Asked You Not To Do
By Alisha Taylor

Trust weighs
The volumetric mass of the Earth

Three pair of un-paired socks
a half-eaten Cadbury’s bar

You can measure it in tears
Snake eggs, road sweepers

Fifty-two pairs of earrings
or just one, not mine

Some days, it’s an entire large pizza
With three sides, garlic bread
Other days, it’s barely even a slice

Sometimes, it becomes the entirety of Hackney
or Vauxhall
then, it’s less than the 6×9 room we share

It could be twenty-two missed phone calls
Four shots of tequila, a pint of Peroni

The intake of breath
directly before you told me lie after lie

The smell of perfume
The taste of a kiss on your lips
and maybe something else

You, sitting on the bathroom floor
Me, on the toilet seat

the sum of unspoken words
between us

 

For the final poem on this list, I’ve chosen to include one of my own, (sorry!). This poem is modelled on the great poet Helen Mort, who wrote an incredible poem called ‘Scale’. I instantly fell in love with the piece and chose to write my own interpretation of the weight of trust.

Finally, to everyone who is in love this Valentine’s Day; please spare a thought for those who Cupid didn’t think to bless this year! I hope you’ve enjoyed this little anti-romantic collection I’ve pulled together here. Just remember: Valentine’s Day is nothing more than corporate greed taking on a sappy loving face, anyway!