Short Story from Level 4

Post by Gemma Conway and Xiaoxia Chen

The new Level 4 group are now well and truly settled in to their studies, Creative Writing student Floransa Ratkoceri tells us. She describes what they have been working on this year and how she has been finding it:

“So far I’ve loved the creative writing modules, it’s good in terms of allowing students to explore writing styles that they may have never tried before. Each class and lecturer challenge us with writing exercises and some of the work produced is stuff all the students use including myself.

This year we’ve been focusing on writing the city stand which is writing that’s inspired by the beautiful city of London. This module has a few different lecturers who give us new ways of looking at types of writing. Most recently we were looking at experimental writing, which was inspired by Eley Williams book, Attrib.

We’ve also been looking at ways of writing strand which takes a look at the genres of writing. From poetry, lyrics, short stories and non-fiction novels and this has really helped as they both link. 

In our reflective writing, this is time we get feedback on our journals and we have guest speakers who come in and either do some reading, and we get to ask questions and get advice. As young writings just starting out these are key questions and ideal people to go to for advice.”

During their excursion to the gallery, Floransa found herself inspired by one painting in particular: Werner Schramm’s Portrait of a Lady in front of The Ponts des Arts, 1930. Anybody with a special interest in Paris, “the city of love”, will already know the history of The Ponts des Arts that straddles the River Seine, now more popularly known as ‘love lock’ bridge. For a decade now, lovers from all over the world come to declare their love by attaching a padlock to its rails and throwing the key into the river. Schramm’s painting exudes a mysterious romantic energy, which Floransa captures perfectly in this short piece inspired by the Portrait of a Lady in front of The Ponts des Arts:

Madame Céleste by Floransa Ratkoceri

Madam Céleste wasn’t your typical French girl. Although she looked average, she was not. Like many of the French, Céleste was pale, and her make up would make her look just the slightest bit paler, making her dark features standing out against her fair skin. Her hair black and long as this is the only way her mother would let her keep it. Her natural waves astonished anyone who asked. Her eyes dark, her eyebrows thick and natural, yet arched. Making her seem surprised most of the time. Then there were her red lips. Red lipstick was her signature. If she gave you a kiss, it would leave her mark. The love letters she exchanged with men, sealing them with her kiss, always leaving them to want more. Céleste came from a family of new money. Her father Etienne inherited his families wealth when his only living parent left all his money to them.

Yes, Céleste seemed ordinary but she was not. She craved and longed for love. A love that she knew would never find her but tried her best to find. Every winters night Céleste would look out of her window as the snow began to stick and would tell herself, my love will be waiting for me. Céleste would wait by Port des Arts. She would look through her wardrobe filled with new money belongings, her mothers wishes that every person in Paris would know that they were wealthy. Céleste would find her most expensive fur coat. All black with a brown inside. The collar of the coat acting like a scarf, the arms protected by the many layers of fur. The coat was long and warm enough to tackle the winters rough and brutal mood.

She went to her desk. Gloves, necklaces, rings all laid out in front of her. She picked up the white leather gloves with frills at the wrist. Blue lacing and buttons to add the sense of wealth. The new leather smell. She picked up a black cloche hat that had blue diamonds on the left side. Her mother had made sure to teach her the value of matching accessories. Applying her signature red lipstick she fetched her black and red clutch and walked to Port des Arts.

The water turning into ice, the lamps exposing the fog, Céleste looked at all the couples walking arm in arm and hoped tonight she would find her love. Every night at the same time she waited. She waited for hours knowing he may never come. That did not stop Céleste, despite the many failed nights without anyone by her side, she waited. Many men would pass and smile, they would admire her scent, her red lips catching their attention, but yet they never stopped for her. Clenching onto her fur protected wrists, she looked across the water. She hoped her love would be gazing out for her the way she gazed for him. Sadly Céleste did not see anyone across the bridge. She gazed across one last time, and noticed a man. A man she had not crossed paths with before. Could this be him? Is this the man Céleste has been dreaming of?

As he looked up and caught her gaze time stood still for her. The world suddenly stopped. Céleste felt it all over her body, like a struck of lightning jolting through her veins. He looked as though he was smiling, but she could not tell. Céleste looked down at herself, brushed off any snow that had left traces on her fur coat and just as she looked up, a figure began running toward the man. A woman, dressed similar to her, but with long, red hair. Like fire, in the cold to warm the soul. He looked away from Céleste and turned to this red haired beauty, and gave each other a warm embrace, followed by true loves kiss. Céleste couldn’t believe that her love, her lightning already had a flame, keeping him warm.

As the couple walked past Céleste the man gazed into her soul once again, with sad dark eyes. She wondered why he was this sad, could it be that the red haired beauty was not his true love? Could Céleste bring herself to say anything to this gentleman? As the couple drew further away from her, he turned back to look at Céleste one last time. The final goodbye. The love of her life, had passed her by and she knew she would never be the red haired beauty.

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Gemma Conway Xiaoxia Chen, 16 November 2018

Find your voice with Independent Presses

Post by Marta Sobczak and Fahima Chowdhury

We would like to dedicate and share on this month pages of Write Westminster Blog the subject we have all been introduced to on the recent speaker event lead by Neil Griffiths – a writer and founder of the Republic of Consciousness prize for Small Press.

We all realise these days how much struggle a writer must go through to get published. Big houses must meet their needs of big names, and big money, therefore their interest in helping rising authors, or those with innovative, creative ideas deviating from the generally accepted standard, is rather very small.

But don’t be mistaken, for there is a hope and we all can benefit from the alternative solutions given by Independent press.

We would like to encourage all of you to reach out into the wonderful world of publishers, who will do their best to support and give you a platform to be heard. The Small Press rely on people like you via subscriptions and donations, therefore any contributions are highly appreciated.

Fitzcorraldo is an independent publisher specialising in contemporary fiction and long-form essays. It was founded in 2014 and its main focus is on ambitious, imaginative and innovative writing.

Galley Beggar commits to publishing daring, innovative fiction and narrative non-fiction.

Influx Press publishes books obsessed with places. Funded by a couple of old school friends from Kent in 2011.

Republic of Consciousness  promotes and celebrates small presses in the UK and Ireland, founded by Neil Griffiths.

Marta Sobczak Fahima Chowdhury,  16 November 2018

How To Get Published

Post by Maarya Abbasi

The world of publishing isn’t easy so Neil Griffiths explains; from being published by both mainstream house and small press, and being the founder of consciousness prize for small press, also not to mention he is an award winning novelist. Neil Griffiths has certainly experienced it all. The journey is tough; It may perhaps go as low as “feeling betrayal when realising your publisher only backs one book a month and this not being yours”; to “feeling a great gratitude as everyone involved works around the clock to give your book the best possible chance”.

Neil was very straight forward with his approach to the industry of publishing as he has given us an insight of all the essential guidelines of having his book published, and the struggles for selling the given amount of copies by a publisher. The importance of the book being published is one thing but there are also other aspects that lead up after it, such as the “tiny little profile from book one” and “a couple of not that great reviews” which I think is totally undermining having being your first book.

Other matters were addressed, where at one point Neil was stuck having no publisher, and no agent, so he started writing a book; spending 7 years, and finally he ended up with a high profile agent. Neil eventually went to see the first person who commissioned his book for penguin and he suggested Gally Begger Press; an independent publisher who Neil had no absolute clue about.

Nevertheless Neil strongly advised to always go with small presses for the first book you write, as you may be lucky enough to sell a few 100 copies. This already qualifies us into a writing career. Also a key factor in addition to this is to have another job whilst writing since Neil explains “you don’t really want that because, where is life in your life”. I totally understand this concept, in terms of being productive outside your writing career keeping you saner and having more to write about.

Maarya Abbasi,  16 November 2018